There’s an ancient saying, often attributed to Aristotle: The whole is greater than the sum of its parts. Ofcourse there are more mathematical options to get the same results, but this is the easiest I could think of. Sigmund is far from just another delay: it consists of four discrete delay units, each with its own, independent set of parameters offering an incredible degree of sound-shaping freedom. So - if you want a note to become triplet, you need to multiply it by 0.66666667 If you divide 2:3 you will get the number 0.666666666667. If once there were 2 notes in a quarter, but now you need to make it 3 notes, you need to multiply it by the same ratio. So you want to make the note *Shorter* this time. If you want to play a triplet eight-note - it needs to be played *3* times in 1 quarter So, mathematically, you should multiply it by 1.5.Īn eight-note can be played twice in the length of a quarter (or beat) In general - if you want the note to be longer, you need to multiply it by a number bigger than 1, and if you want to shorten it, you need to multiply by a number smaller than 1.įor example - a dotted note is taking a note, and adding it another half of it's length. While in sync mode, you should multiply the note length by the offset number to get the desired note length. Overall for me 3.75 out of 5.TL DR - if you don't care for the math bullshit :} I'm still exploring its vast possibilities.
All of them are great and each deliver a very good sound, each of them with its own distinctive character and different possibilities. If you are in the market for a new high class delay, and you don't own yet something like Soundtoys Echoboy, Fabfilter Timeless or FXpansion Bloom, I recommend to demo all of them and then decide which one suits best your needs. The value for the price is okey, but definitely not a bargain. ) Would love to see the possibility to freely set the signal routing of the delay lines. ) Volume meter in the mixer section should more smaller elements to show low levels ) Feedback filter cannot be set independently to the main filter ) The multi-mode filter's cannot be changed ) LFOs are set overall, so each delay line cannot have its own LFO settings ) No tap delay, where you can set the amount of delays exactly Haven't yet had a project using Sigmund on my new machine with OS X 10.9.5 and Logic X. No crashes have happened due to Sigmund yet. Stability is excellent on my old machine running OS X 10.6.8 with Logic 8. The manager itself is very easy to understand and use. And they show what Sigmund is capable of. They cover a wide range and some special uses. I must say that the usability of Fabfilter Timeless and Soundtoys Echoboy is much easier.Ī lot of cool presets are shipped with it. Once you're delved in, you can easily create great and special results.
#D16 sigmund delay how to
So I needed some time to get my head around that plugin until I understood how to set it up and be fluent at it. When it came out, I bought it instantly, but at the first time when I started it and wanted to create my own presets, I was lost in the GUI. As this is a feature-packed delay unit, I will break this tutorial into three parts to show what each component in this delay unit does and how it can spice up and bring life to various sounds. It features four discrete delay lines with a routing matrix that will allow you to create unique and creative sounds. Hitting the limiter can also generate some cool distortions. Sigmund is a multi-tap delay unit by D16 Audio Group. The filter and the overdrive can give a nice grit to the delays. I wouldn't say it sounds totally analog and warm, but still very pleasant to the ears. The sound is very good and not so much digitally cold. ) preset browser features the possibility to lock delay lines when loading presets. ) block the mix parameter when browsing presets ) 9 different signal routings for the 4 delay lines ) LFOs can be set from 0.01 - 100 Hz or synced to the host tempo ) 2 LFOs to modulate delay time, cutoff and delay line volume ) the input signal can be made mono, L and R are summed Each of the delay lines has complementary modules built in, independent from the feedback loop: + Multi-mode Filter (can work either in or outside of the feedback loop). ) filter on the feedback loop (it's passive and shares the same parameters as the multi-mode filter) Four independent delay lines Sigmund is far from just another delay: it consists of four discrete delay units, each with its own, independent set of parameters. ) each delay can have a pre delay, also synced or as ms, channels joined or separately ) mixer with volume and pan for each delay line ) delay times for L/R or M/S from 0.1 - 1000 or synced to the host tempo D16 Group D16 Group Sigmund Quad Delay v1.1 plug-in - download.
) its own multi-mode filter, overdrive, tremolo and signalflow D16 Group Sigmund Review: Sigmund is a hardware inspired delay plugin from the classic grove box emulation artisans at D16. The 4 delays can set to 9 predefined signal routings. Sigmund is a complex delay with lot of possibilities from D16 Group, consisting of 4 discrete delay lines that each contains its own filter, overdrive and a tremolo.